euroforest: Run animals! Run!

In the uplands of the Scottish Borders, it’s mainly farming for sheep and trees – and now wind too. euroforest styles much of the landscape. (Not any company in particular  – I use a small ‘e’ generically.)

I do not know who owns the patch next to our hamlet – but last Monday night ‘they’ started felling euroforest by floodlight. This week a cut is extending into a familiar view.

Last year we received a letter to reassure us that the contractors would be careful when they logged the section around our water supply. This year new work took us by surprise: Now the holes in the road out of the valley will now really go to pot! Hope the drivers look out for children, dogs, chickens.

So little I know. Who pays for the holes the lorries make? How much is a spruce worth? What is the wood good for?

I wanted to film the machine at work but it’s hard to actually speak to the operator to get permission. We wave at each other. I draw. I know nothing about these vehicles. I see them in animal terms: limbs, joints, mouths, and lots of erections. I think maybe the endbit  is called a grapple-hook. It is very dextrous.

A saw appears like a tongue after it grabs the trunk. It takes less than a minute to strip a tree and chop it.  Last year I tried to hide from these scenes. This year I decided to learn about what happens. Seeing a tree fall is exciting. (I have read that artists in the Arctic cheered as huge blocks of ice fell from the bergs they watched, talking about climate change.)

Last year two girls ran along the leat which was to be cleared, shouting: “Run animals! Run!” What animals are there to run? Despite the dead space between closely packed spruce trees, we have seen squirrels, hare, foxes, deer, badgers, and crossbills (were they nesting yet?). Buzzards, pigeons, siskins, what do they do?

Maybe the brush offers shelter, voles kept in view by a hovering kestrel. ‘Snags’ –  dead standing trees – give vantage points for buzzards, crows.

One section of euroforest has been de-stumped. This seems crazy: it is rumoured to go to Lockerbie Biomass power plant. Renewable? However much oil does it take to dig stumps up and transport them? Elsewhere, ‘residues’ are scraped up. I wonder about dead wood decay into soil,  about invertebrates? I am told dead wood adds methane to the atmosphere, acidifies the soil. What do I know? We see the soil run off in heavy rain.

euroforest is busy also in the Ettrick valley. On Monday residents’ anger will be aired at a public meeting. Broken promises, potholes, scarring access roads, abandoned sheep farms.

Erasure of place upsets. We use words like ‘blanket’, ‘swathe’, ‘obliteration’, ‘monoculture’. There are traces of sheepscapes.

With occasional trees older than a single human generation.

My proposal is to plant an aspen at upper Phawhope bothy at the head of Ettrick valley – as a Way installation inspired by the Forest Bookstore in Selkirk.

Endnote: This photo-essay is an introduction to my project ‘in the present tense‘ – fieldwork as an environmental artist about land use in the Scottish Borders.  I look for entwined patterns of co-existence as animals, people, climate and land adjust to each other.  I use drawing as a tool for investigation and this brings me into contact with people whose livelihood depends on the land. This highlights the resources of knowledge, skill and design underlying what may be seen as pastoral Borders’ scenery. This takes place within an industrial scenario where commodities are extracted. I think of my task as being to look carefully, scrutinise my own preconceptions and lack of knowledge, and draw out new connections. Borders’ farmland has been described as “sheep and trees, cows and ploughs”.  I began with sheepscapes and am now moving onto trees. Tree-lines as a project started with the idea of deadwood and its generative possibilities – trying to ‘think like a tree’, prolong my anthropocentric time-line, and deepen my investigation to take in more about what is under my feet, and above my head.

Tree-lines offer a malleable idea for further investigation … land-use … climatic transition … life-lines  and shelter … diagrammatic rendering (productivity, biomass, carbon sequestration) … pattern and repetition … supply lines … cultural entanglements …


About Kate

in-formation administrators
This entry was posted in euroforest. Bookmark the permalink.

2 Responses to euroforest: Run animals! Run!

  1. jethrobrice says:

    Great to see this, thanks. [-]scapes is rich like a forest floor – depth and complexity accumulating over time.

    Re forest views and beautiful, denuded sheepscapes:
    Planks from a trackway built across the Somerset wetlands in 3806 BC speak of a different kind of forest, dominated by mature oaks whose lowest branches were up to 20 meters above the ground. It might have been very possible, to look through gaps that size.

  2. tim collins says:

    A brilliant bit of work.
    The artist, the witness, the need to think like a tree to understand a litany of costs to the public realm and commonons. To understand the impact on them. An attempt to transcend the utilitarian and examine the intrinisic, all wrapped in an imagination and memory. (I love the response referring to the Oak recovery.) The value of one is found in its reflection of the other, cultures are shaped by relationship to the land.

    The much maligned British Ice Age, imagined by some to be the (prideful) rationale for the continued sublimation of eco-intrinsic value for instrumental rational management of this land. As if seed, pollen and remnant systems weren’t left behind in the retreat. As if the wild things didn’t carry seed and nutrients in their bodies. It is one things for an ecosystem to evolve and change it is another for it to be forced into service. We should not confuse the two.

    There is no way to rationalize the irrational harvest that occured over generations. Resulting in the production of a landscape unlike any other in Europe…. 17% forest cover the majority of which is forest farms that are devoid of ecosystem function. Meanwhile the heather burns again in the spring air, we count the birds in one breath and value the land by the number of carcasses in the next.

    The Trossachs and Cairngorms, the new National Parks have their own becoming to consider. What happens if and when the the irrational harvest – stops.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s